Unit:
Κατεύθυνση Πολιτισμικές και Κινηματογραφικές ΣπουδέςLibrary of the Faculties of Political Science and Public Administration, Communication and Mass Media Studies, Turkish and Modern Asian Studies, Sociology
Author:
Koufogianni Athanasia
Supervisors info:
Μαρία Κομνηνού, Ομότιμη Καθηγήτρια, Τμήμα Επικοινωνίας και Μέσων Μαζικής Ενημέρωσης, ΕΚΠΑ.
Original Title:
Δράκος και Dogman: Αντιήρωες στο μεταίχμιο των ανδρικών αναπαραστάσεων
Translated title:
Drakos (The Ogre of Athens) and Dogman: Anti-heroes on the threshold of male representation
Summary:
In the present paper, movies Drakos (The Ogre of Athens,1956) by Nikos Koundouros and Dogman (2018) by Matteo Garrone meet and acquire a dialectic relationship, in order to investigate on one hand the timeless archetype of the antihero, central figure in both works, and on the other hand the way the male subject is constituted and performed while being in a state of fear, anxiety and uncertainty.
Main subject category:
Social, Political and Economic sciences
Keywords:
The Ogre of Athens, Koundouros, Dogman, Garrone, anti-hero, male identities, gender representations,violence
File:
File access is restricted only to the intranet of UoA.
ΔΙΠΛΩΜΑΤΙΚΗ ΕΡΓΑΣΙΑ.pdf
954 KB
File access is restricted only to the intranet of UoA.