2. “Τhe Sense of ‘Pleasure’ in Eastern Chant”

3. “Yet another contributor to the exegesis’ issue: Georgios-Eutychios Ugurlus”

4. “Visual Aspects of Byzantine Music Modes: Exploring the 'Ethos' of Byzantine Melopoeia through Acoustic Analysis”

5. “Tradition and Innovation in the Person of Petros Bereketes”

6. “The ‘woman figure’ in Byzantine Melopoeia”

7. “The story of a composition or ‘Adventures’ of written melodies, during the Byzantine and post-Byzantine era”

8. “The figures of composer and chanter in Greek Psaltic Art”

9. “The Greek-speaking Instruction of the Psaltic Art. Past, Present and Future”

10. “The Architecture of the ‘Pantheon’ in Athens. Recent Discoveries.” AURA 2 ( 2019):173–90

11. “Slavery of the Mind" and “Mental Imprisonment” (1870) in the Harem: the Bodiless Society, a de-gendered or gender-neutral emancipatory social space?

12. “John Laskaris’s Modality Schema”

13. “From the Ritual of the Matins Servise: The insertion of poetic texts in the chant of the Polyeleos”

14. “Distinguished” Women Entrepreneurs in the Digital Economy and the Multitasking Whirlpool

15. “Daniel the Protopsaltes (+ 1789): his life and work. A preliminary paper”

16. “Byzantine Music as ‘Tabula Rasa’ or Which should be the ‘Language’ of Byzantine Music”

17. “ ‘…old wine into new bottles…’ The continuity of the Tradition in the Contemporary Composition Practice of Byzantine Music”

18. Ὁ πολυέλεος Παρθενίου ἱερομονάχου τοῦ Μετεωρίτου

19. Ὁ Γέρων Ἱερόθεος (1762-1814). Ἡ πολιτεία τοῦ κτίτορος τῆς Ἱ. Μονῆς Προφήτου Ἠλιοὺ Ὕδρας καὶ κριτικὴ ἔκδοση τοῦ Βίου του

20. Ἡ Ἀρμενικὴ γενοκτονία ὡς ἀποτελέσμα τῶν γεωστρατηγικῶν ἀνταγωνισμῶν τῶν μεγάλων δυνάμεων στὴν Εὐρύτερη Μέση Ἀνατολὴ