The ''octaechon'' koinonikon for Sunday's mass by Petros Bereketes: a study of its exegesis in the eight modes
The Communion Hymn of the Divine Liturgy of the Presanctified Gifts: melodic and morphological approach
Hymnopsaltics of the worship service of Saint Basil the Great
Modes and scales in popular songs of the 1950s
STRUCTURE AND ARCHITECTURE OF JACOB’S THE PROTOPSALTES “DOXASTARION”: MORPHOLOGICAL STUDY BASED ON THE FOURTH MODES
The chanting art in Cyprus until 1571. Hieronymus Tragoudistes's life and oeuvre.
Psaltotragouda: a connection between the analogion and the external music.
European influences on the Theory of the psaltic art of the 19th and 20th century
Byzantine Music in the Discography of Grammophone
Melopoetic (Melodic) and Notational comparison between the Heirmologia of Balasis the Priest and Peter the Peloponnesian
Towards an Orthography of Old Byzantine Notation: musicological and technological approach
Exegetical study to the Anastasimatarion of the codes Metamorfoseos 206 and Ksiropotamou 374: The chapters of the chromatical modes
Liturgika and eastern music tradition.