Unit:
Κατεύθυνση Χριστιανικής Αγωγής, Ποιμαντικής Θεολογίας και Επικοινωνίας: Ποιμαντική ΨυχολογίαLibrary of the School of Theology
Author:
Riakiotaki Kalliopi
Supervisors info:
Γαιτάνης Βασίλης Αναπληρωτής Καθηγητής Κοινωνικής Θεολογίας και Θρησκειολογίας ΕΚΠΑ
Κεφαλέα Κίρκη Καθηγήτρια Κοινωνικής Θεολογίας και ΘρησκειολΌγιας ΕΚΠΑ
Βέντης Χαράλαμπος Επίκουρος Καθηγητής Κοινωνικής Θεολογίας και Θρησκειολογίας ΕΚΠΑ
Original Title:
Η κινηματογραφική τέχνη του Φρανσουά Τρυφώ από θεολογική άποψη
Translated title:
The cinematographic art of Fransoua Triffo from religion aspects
Summary:
Born in Paris in 1932 and died in 1984, François Truffaut was one of the major chapters and leading representatives of the so-called French New Wave in the field of cinema. Indeed, his film The 400 Blows was one of those defining moments in French cinema, through which this new genre of cinema was highlighted and formalized. It is noteworthy that the main features of the French New Wave will be reflected in the course of other Francois Truffaut films, though perhaps to a lesser extent as the years went by.
One aspect that seems to be highlighted through these films in the meantime is the way the religious element is perceived. Truffaut himself had nothing to do with official religious institutions, such as the Roman Catholic Church. However, there are various references to issues that have dealt with religions throughout their films, which are often clear in a somewhat more indirect way.
Main subject category:
Religion
Keywords:
cinematografic art, french nouvelle vagoue, religion aspects
