Unit:
Department of Music StudiesLibrary of the School of Philosophy
Author:
Neokleous Paraskevi
Supervisors info:
Βασιλική Λαλιώτη, Επίκουρη Καθηγήτρια, Μουσικών Σπουδών, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.
Νικόλαος Πουλάκης, Εργαστηριακό Διδακτικό Προσωπικό, Μουσικών Σπουδών, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.
Μαρία Παπαπαύλου, Αναπληρώτρια Kαθηγήτρια, Μουσικών Σπουδών, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.
Original Title:
Επιτέλεση και Φύλο: Η περίπτωση της Ιαπωνικής επιθεώρησης Takarazuka
Translated title:
Performance and Gender: The case of the Japanese Takarazuka Revue
Summary:
The first chapter of this paper deals with the anthropology of women and
gender studies, analyzing issues of theory and methodology, reaching
gender and identity.
The second chapter focuses on the concept of performance and the performing arts in general, concluding on the theater and its relationship with gender and in particular the relationship between theater and women.
The third chapter refers the Takarazuka Theater. In this chapter, I proceed to the analysis of the Japanese social context and culture, methods and techniques
followed by Takarazuka actresses, in roles and identities, as well as the existence of homosexual attraction on and off stage.
Main subject category:
Geography - Anthropology - Folklore
Keywords:
gender, performance, performing arts, theater, Takarazuka
