Unit:
Department of Music StudiesLibrary of the School of Philosophy
Author:
Dimitriou Andreas
Supervisors info:
Χριστίνα Αναγνωστοπούλου, Αναπληρώτρια Καθηγήτρια, Τμήμα Μουσικών Σπουδών, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών
Αναστασία Γεωργάκη, Καθηγήτρια, Πρόεδρος, Τμήμα Μουσικών Σπουδών, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών
Αναστάσιος Χαψούλας, Καθηγητής, Τμήμα Μουσικών Σπουδών, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών
Original Title:
Συστηματική ανάλυση στο τρίτο μέρος της σονάτας για σόλο βιολί του Béla Bartók χρησιμοποιώντας την μέθοδο της Γενετικής Θεωρίας της Τονικής Μουσικής.
Translated title:
Systematic Analysis of the Third Movement of Béla Bartók's Sonata for Solo Violin using the Method of Generative Theory of Tonal Music
Summary:
The thesis analyzes the third movement of Béla Bartók's sonata for solo violin. As a method of analysis, the Generative Theory of Tonal Music is used which can be adapted to the metatonic idioms of Bartók's musical language. The application of the specific analysis method to a monophonic piece of music without the accompaniment of a second instrument was one of the main objectives of the thesis. The relationship between the Generative Theory of Tonal Music as a method of analysis and computational analysis is commented. Listed at the end are the questions that arose during the analysis of the piece.
Main subject category:
Fine arts - Entertainment
Keywords:
Generative Theory of Tonal Music, post tonal music, Sonata for Solo Violin
