Department of History and Archaeology
Library of the School of Philosophy

2023-05-08

2023

Charchare Eleni

Τριμελής Συμβουλευτική Επιτροπή

Επιβλέπουσα: Μαρία Κωνσταντουδάκη-Κιτρομηλίδου, Ομότιμη Καθηγήτρια Βυζαντινής Αρχαιολογίας, ΕΚΠΑ
Μέλος: Χρύσα Μαλτέζου, Ακαδημαϊκός, Ομότιμη Καθηγήτρια Ιστορίας της περιόδου της Βενετοκρατίας, ΕΚΠΑ, Μέλος της Ακαδημίας Αθηνών
Μέλος: Ελένη Δεληγιάννη-Δωρή, τ. Επίκουρη Καθηγήτρια Βυζαντινής Αρχαιολογίας, ΕΚΠΑ

Επταμελής Εξεταστική Επιτροπή

Μέλος: Αναστασία Δρανδάκη, Επίκουρη Καθηγήτρια Βυζαντινής Αρχαιολογίας και Τέχνης, ΕΚΠΑ
Μέλος: Γεώργιος Πάλλης, Επίκουρος Καθηγητής Βυζαντινής και Μεταβυζαντινής Αρχαιολογίας και Τέχνης, ΕΚΠΑ
Μέλος: Ιωάννα Στουφή-Πουλημένου, Αναπληρώτρια Καθηγήτρια Χριστιανικής Αρχαιολογίας και Τέχνης, Τμήμα Θεολογίας, ΕΚΠΑ
Μέλος: Ευαγγελία Γεωργιτσογιάννη, Καθηγήτρια Ιστορίας της Τέχνης και του Πολιτισμού, Τμήμα Οικιακής Οικονομίας και Οικολογίας, Χαροκόπειο Πανεπιστήμιο

Ο Ιωάννης Περμενιάτης και άλλοι Έλληνες ζωγράφοι στη Βενετία κατά το πρώτο μισό του δέκατου έκτου αιώνα

Greek

Ioannis Permeniatis and other Greek painters in Venice in the first half of the sixteenth century

The thesis attempts to make a contribution to the study of the work of Ioannis Permeniatis, a member of the group of the Greek painters who lived in Venice in the first half of the 16th century, a period of great artistic flourishing in the Italian metropolis. It presents the archival and artistic evidence known to date concerning fifteen Greek painters, most of whom were members of the Greek Confraternity, which was founded in Venice in 1498. The main part of the thesis deals with the work of Ioannis Permeniatis, who is also attested as a member of the Greek Confraternity in 1523. His works, three signed and thirty two attributed paintings, are examined in detail, grouped into iconographic categories. The aim of this examination is to highlight the various influences exerted on the painter, on the one hand from the Byzantine tradition and on the other hand from a wide spectrum of Western European painting, as well as the way in which he synthesized these influences, creating a special artistic language. In other words, it attempts to present aspects of the artistic personality of a Greek painter, who was able to respond to the questions posed by the art and religiosity of his time in the environment of Venice, which was rich in artistic stimuli but also highly demanding on the professional level, offering a work at the crossroads of post-Byzantine and Western painting.

Archaeology

Post-Byzantine painting, Ioannis Permeniatis, Venice, Greek Confraternity of Venice

No

0

Yes

690

261

File access is restricted until 2026-05-08.

https://pergamos.lib.uoa.gr/uoa/dl/object/3327329