Unit:
Department of Music StudiesLibrary of the School of Philosophy
Author:
Panteloglou Georgios
Supervisors info:
Ιάκωβος Στάϊνχαουερ / Καθηγητής / ΤΜΣ / ΕΚΠΑ
Μάρκος Τσέτσος / Καθηγητής / ΤΜΣ / ΕΚΠΑ
Νίκος Μαλιάρας / Καθηγητής / ΤΜΣ / ΕΚΠΑ
Original Title:
Συγκριτική Μελέτη Της Μουσικής Μεταξύ Ευρωπαϊκού κι Αμερικανικού Κινηματογράφου
Translated title:
Comparative Study of Music Between European and American Cinema
Summary:
This study provides a comprehensive analysis of film music during the transitional era spanning from 1960s to 1980s with special emphasis on comparative analysis between American and European cinematic landscapes. Research aims at exploring complex dynamics existing between music and cinematic narrative, charting developments in evolution of film scores while identifying underlying socio-political contexts which furthered genre differentiation. Analytical research reveals musical aesthetics and philosophies representative within landmark film creations serving as palpable demonstration for how directors and composers develop symbiotic understanding towards collaborative pursuits. Moreover, the research clarifies film music's profound effect toward audience reception and critiques by demonstrating its instrumental part within the entire cinema experience. In comparing American and European musical traditions, this gives perspectives on separate yet interwoven tapestries of sound and storytelling within this changing phase in cinematic history
Main subject category:
Philosophy - Psychology
Keywords:
Film music, 1960s-1980s cinema, American - European cinema, film scores, genre differentiation, musical aesthetics, socio-political implications in cinema
Number of references:
116
