Unit:
Department of Music StudiesLibrary of the School of Philosophy
Supervisors info:
Ιωάννης Φούλιας, Επίκουρος καθηγητής «Συστηματικής Μουσικολογίας.
Θεωρίας της Μουσικής (18ου-19ου αιώνος)»,
Τμήμα Μουσικών Σπουδών του
Εθνικού και Καποδιστριακού Πανεπιστημίου Αθηνών
Original Title:
Οι συμφωνίες του Leopold Kozeluch: Συγκριτική μελέτη των εναρκτήριων και καταληκτικών μερών των συμφωνιών P. I: 3 & 4
Translated title:
The symphonies of Leopold Kozeluch: A comparative study of the first and final movements of symphonies P. I: 3 & 4
Summary:
Leopold Kozeluch played an important role in the composers' society of Vienna in the classical period being employed not only as a composer but also as a music publisher. This thesis outlines his compositional practice through the analysis of two first and two final symphonic movements, which are all formed in sonata form. The way Κozeluch uses and applies this particular morphological style is examined and compared to the opinions of music theorists of his time (Koch, Galeazzi) as well as modern ones (Hepokosky & Darcy, Caplin). Furthermore, the smaller formes and instrumentation methods in use are being identified. Finally, conclusions regarding the use of harmonic and motivic material are being drawn through the comparison between movements as well as the comparison with the wider composing practice of the second half of 18th century.
Main subject category:
Music
Other subject categories:
Fine arts - Entertainment
Keywords:
sonata form, music analysis, morphological analysis, Koch, Galeazzi, Hepokosky & Darcy, Caplin, 18th century, classical music, classical period
