1. Death Becomes the Chicana: Hunger, Sacrifice and the Aesthetic in Cherríe Moraga’s The Hungry Woman: A Mexican Medea

2. Theatrical (Re)visions of Staged Warfare: American Imperialism through the Eyes of Revisionist Playwrights

3. “Revolutionary Maneuvers Toward Decolonized Being” in Michelle Cliff’s “Savage” Anticolonial Saga

4. Renegotiating Trans* Existance through the Surrealist Art of Claude Cahun

5. The Bone Beds of Memory: Decolonizing Being in Contemporary Caribbean Writing

6. A Foucauldian Approach to ‘Madness’ and Colonialism in Jean Rhys’ Wide Sargasso Sea and Sylvia Wynter’s Hills of Hebron

7. Madness in the "Mad Genre" of Science Fiction

8. "As we Dwell through this Concrete Hell, Callin' it Home": Racism and Empowerment from Harlem to Hip-Hop

9. When the body says no: Moving the Medea Myth from Dissonance to Resonance

10. "Love Had Entered My Home": The Poetics of Lesbian Desire in Modernist (Auto)biographical Fiction

11. An-Other Dancer, Unnamed, Undocumented, Unaccountable: Decolonizing the Future of the Migrant in J.M. Coetzee’s The Childhood of Jesus and The Schooldays of Jesus

12. De-Centering the Margins: Disintegration and Liberation in the Later Works of Mina Loy, Jean Rhys and Elsa von Freytag-Loringhoven

13. (Counter)Poetics of Madness in Caribbean Literature

14. Co-Inhabiting the Tide: The Imagination and Praxis of Relation in Philip M. NourbeSe’s Zong! and Michelle Cliff’s Into the Interior

15. Τhe Art of Death of the Author/Father in Fábio Moon and Gabriel Bá’s Daytripper